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She was 17 years old. She lived in Rome. And the world she knew was about to be destroyed in a way no young woman should ever experience. Artemisia Gentileschi did not choose to be a symbol. She did not choose to be an example. She chose to survive. And in that survival she created one of the most powerful and most honest bodies of work in the entire history of art.
This is her story. Not the softened version. The real one.
Some painters change everything. And some painters change everything in silence. Johannes Vermeer belongs to the second group. He founded no movement. He left no manifestos. He had no known disciples. He painted 34 pictures, perhaps 37, nobody is entirely sure, and disappeared from history for almost two centuries. When the world rediscovered him in the 19th century, it was like opening a door that had been closed too long. On the other side was light. A light nobody has been able to fully explain.
Read more … Johannes Vermeer | The origin of a light that no one has been able to explain
The Kiss is an oil painting with added gold and silver leaf by the Austrian Symbolist painter Gustav Klimt. Its German title, Liebespaar, means: Lovers. It is considered a masterpiece of the early modern period, an icon of Jugendstil — Viennese Art Nouveau — and is regarded as Klimt’s most popular work.
Read more … Not the kiss she waited for. His decision. | Gustav Klimt's The Kiss
The story of the abduction of Persephone is more a story about Demeter than about her daughter Persephone. The violation of Persephone had terrible family precedents, beginning with the relationship of her mother Demeter with one of her brothers, the father of her daughter, Zeus, king of the gods, who also refused to intervene to help the girl, at least in a timely manner. Demeter, goddess of the earth and grain, as we have already told in La Vida es Arte, was the sister of Zeus, as well as of Poseidon and Hades.
Read more … The Day the Earth Opened and Took Her Away | The Rape of Proserpina
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Hay cuadros que no solo representan una escena; la capturan, la respiran, nos invitan a cruzar un umbral. Entre las obras maestras del Renacimiento italiano, pocas poseen la intensidad emocional y...
La escultura El Viento del Oeste de Thomas Ridgeway Gould, creada en 1876, es una obra de mármol que captura de manera simbólica la figura femenina como una encarnación del viento. La escultura...
Ayer justamente me acordaba de Medusa y me preguntaba por Perseo. ¿Perseo, Perseo dónde estás que no te veo? Pero lo encontré, ahí estaba en un cajón olvidado, así es que lo rescate y lo traje de...
Una brisa suave susurra entre los árboles en un claro de bosque iluminado por la cálida luz del sol de primavera. Este escenario idílico es la esencia capturada en mármol por Giovanni Maria Benzoni en su...
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