Paintings

In the vibrant and often secretive world of art, the value of a work lies not only in the artist's genius or historical importance but also in the frenetic pulse of the auction house. For us, the curious and art lovers, the astronomical figures are often a fascinating gateway to understanding the cultural and investment relevance of certain masterpieces. These are not mere paintings; they are monuments to modern history and testimonies of a market that defies logic.

Echo was a forest nymph, an Oread (mountain nymph) who lived happily on Mount Helicon. She was a free spirit, very cheerful and playful, but her most notable talent, and what she loved most, was undoubtedly her voice. Her eloquence was such that, on Olympus, she became the main distraction for the goddess Hera herself.

Art is driven by ruptures. And if there is one name that embodies the radical break at the end of the 16th century, it is Michelangelo Merisi da Caravaggio. Forget the idealized perfection of the Renaissance; with him, art looks directly at the street, the tavern, and raw humanity. His genius lies not only in technique but in his vision: he painted saints, apostles, and martyrs with the faces and bodies of common people, bathed in a dramatic light that would become his signature: tenebrism.

A young man, standing in a doorway, draws a young woman to steal a kiss from her... which she seems to have come looking for! The eroticism of stolen pleasure is the third party between two worlds. Two attitudes are expressed by the posture, the face of this young woman, divided between the attraction of forbidden fruit and respect for morality. “The Stolen Kiss” (Le Baiser à la dérobée) by Jean-Honoré Fragonard represents a frozen instant of furtive intimacy between two lovers.