Paintings

The story of Cupid and Psyche is, perhaps, the most beautiful allegory ever told about the human soul's journey toward immortality. The plot begins with Psyche, a king's daughter, whose beauty was so overwhelming that the people of her kingdom spoke only of her and, in doing so, forgot to follow the cult and adoration of Venus (Aphrodite), the goddess of love and beauty. The goddess, feeling outraged by this rivalry born of mortality, sends her son, Cupid (Eros), the god of desire, to punish the insolent girl.

Romanticism, which flourished approximately between the late 18th century and the mid-19th century, was not just an artistic fashion; it was a cultural revolution that encompassed literature, music, and, of course, painting. It was born as a passionate reaction against the cold logic, strict order, and rationality imposed by Neoclassicism. If the Neoclassicists sought perfection in symmetry and the rules of Greco-Roman antiquity, the Romantics sought truth in a much deeper and more turbulent place: sentiment, imagination, and uncontrollable emotion.

There are universal images that form part of our collective history, and one of the most iconic is undoubtedly Leonardo da Vinci's The Vitruvian Man. This illustration, repeated and reinterpreted throughout the centuries, is much more than a simple drawing: it is a symbol of the intrinsic connection between art, science, and philosophy. Created around 1490, this work reflects not only Leonardo's insatiable curiosity but also his commitment to the search for perfection and the universal laws that govern both the human body and the universe.

When we think of Gustav Klimt (1862-1918), the color gold immediately comes to mind. His canvases, more than paintings, look like gigantic jewels, shimmering mosaics that merge the human figure with abstract patterns and metallic flashes. But this love for gold was neither accidental nor a passing fad; it was a direct inheritance, a vocation forged in his childhood workshop. To understand the artistic revolution that Klimt led in Vienna, we must first get to know the man who dreamed in gold.